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                      | FREE instructions 
                  for drawing and piecing your own variation of "Flying Geeses" 
                   available on our ARTICLES page. |  |  |   
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              | Design Concept 
                  Flying Free #4: 
                    Midnight Flight to Dawn celebrates my retirement after 28 years as a 
                    flight attendant for United Airlines. Many times during my career, I 
                    took off from the California at midnight and flew all night to find 
                    the sun just beginning to rise as we landed in Chicago. The black cotton fabric in this full length swing coat represents the 
                    night sky. To represent the sun beginning to filter up through the clouds 
                    on the eastern horizon, I hand painted cotton broadcloth with fiber 
                    reactive dye, creating a spectrum of rainbow colors emerging from black. 
                    Around the body of the coat are two long sweeping curves with a series 
                    of triangles in graduated rainbow colors. These are a variation of the 
                    traditional "flying geese" pattern, however these geese fly 
                    along a curving path so each one is a different size and shape. Drawing 
                    and piecing the flying geese in a curve is one of the many fun things 
                    I teach in the workshops at the Bryerpatch Studio, and we have a set 
                    of instructions available through our Internet Store for those who can't 
                    attend the class.
 The front of the coat is finished with a full length collar with more 
                    flying geese in rainbow colors. The lines of curving geese from the 
                    body of the coat flow across one side of the collar. The last triangle 
                    in each row laps over the front to form a closure.
 Elaborate, free-motion, machine quilting covers the entire surface of 
                    the coat, providing a foreground dimension that is contrapuntal to the 
                    painted and pieced design of the fabric. Black #30 cotton top stitching 
                    thread was used for the quilting, which shows up clearly against the 
                    light areas of the painted fabric. All of the machine quilting was done 
                    free hand, without any marking on the quilt top. The sewing machine 
                    needle is my drawing tool, and this kind of quilting is just like doodling 
                    with thread. The style and appearance of this kind of quilting is as 
                    unique to each individual quilter, as handwriting or a signature. The 
                    100% cotton batting is thin enough to allow the coat to drape, yet adds 
                    enough loft for the quilting to show.
 At the end of the night flight comes the dawn, and as the coat is opened 
                    it reveals a lining of cotton broadcloth, painted in the colors of the 
                    sunrise, and more elaborate and ornate machine quilting. The silk noil 
                    dress is dyed in the same sunrise colors as the coat lining and it is 
                    surrounded by a quilted belt of rainbow colored flying geese.
 
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              | Exhibitions:  
                  Full-Spectrum: Natural Fibers, Quilts & Textile Arts, Binghamton 
                    University Art Museum, Binghamton NY, Sept 10-December 18, 2009FAIRFIELD 20TH ANNIVERSARY FASHION SHOW, 1998-1999 |  
              | Publications  
                  FAIRFIELD 20TH ANNIVERSARY FASHION SHOW, CATALOG |  |  
  
  Updated
02/28/2018Web Site Design by Caryl Bryer Fallert-Gentry © 1997-2022 
      All Rights Reserved Bryerpatch Studio • 10 Baycliff Place • Port Townsend, WA • 98368  • USA
 360-385-2568 • caryl@bryerpatch.com
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