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          |  | J Pod Printable version
 
              See details & more information belowCopyright © 2020 Caryl Bryer Fallert-Gentry
Size: 41" x 41"Techniques: Digitally designed & painted, digitally printed, machine  
                quiltedFabric:  100% cotton / Batting:  50% cotton / 50%  bamboo Price: $6400.00 
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      you would like to purchase or exhibit this quilt, please contact Caryl privately.    Email  Phone: 360-385-2568  Snail Mail: Bryerpatch Studio 10 Baycliff Place.  Port Townsend, WA 98368
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        | This quilt was made for  a special exhibition of quilts about the effects of global warming and pollution.  The most immediate effect in the area where we live, overlooking Puget Sound,  is the decline in the resident orca population, or at least that’s what makes  the news most often. The numbers have reached such low levels that experts fear  that they will soon become extinct. The local orcas have their own culture,  language, and dietary habits, and apparently have not interbred with the  transients for at least 40,000 years. There seem to be many different reasons  for the precipitous decline in their population. The ones mentioned most often  in my reading are:  Water Pollution: Toxic pollution in the water, which not only affects the health and fecundity  of the orcas themselves, but also affects their food source. Unlike the  transient orcas, which eat mammals (seals, dolphins, etc.), the residents only  eat fish, mainly chinook salmon. Many of the worst toxins found in the tissues  of the orcas are “legacy” chemicals like PCBs, which were outlawed in 1979, but  still exist in electrical products and other construction products that can end  up in landfills and then be carried into the seas by run-off. Orcas commonly  live into their 60’s and have been known to live as long as 104 years, so the  toxins have been accumulating for a long time. The females pass the toxins on to  their babies, which may account for the scarcity of live births recently.  Adding to the pollution of the seas is the run-off from vehicle emissions in  the urban areas and air pollution carried into the water by rain. There are  also some cities, like Victoria that discharge their sewage directly into the  strait separating the Olympic Peninsula from Vancouver Island.
 
 Plastic  Pollution:
 Plastic pollution poses a serious threat to whales, seals, turtles, salmon and  all of Puget Sound’s wildlife. Single-use plastic bags, can choke, suffocate or  kill whales, birds and other marine wildlife. A beached gray whale was found in  West Seattle with 20 plastic bags in its stomach. Seattle has banned plastic  shopping bags, straws, and flatware; however, these are still in use in other  parts of the area. Our resident orcas also swim to the west side of the Olympic  Peninsula, where plastic washed here, all the way from Asia, ends up in our  local waters.
 
 
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    | Noise Pollution:Noise pollution comes from the many vessels that sail through Puget Sound every  day. Orcas locate their food by a kind of sonar, and the constant noise from  container ships, ferries, cruise ships, military vessels, and yes, even whale  watching ships may interfere.
 
 Starvation:
 Many of the orcas who have died recently are emaciated. They are not finding  enough fish to sustain them. The salmon population suffers from pollution,  over-fishing, diseases spread from fish farming facilities, and the damming of  the rivers that are their traditional spawning grounds. The good news is that  the dams on the Elwha river were removed several years ago, and the salmon are  returning in record numbers. Unfortunately, that is just one small step and removing  dams is not as simple as it may sound. The energy produced by the dams on the  Snake River, (major problems for the salmon) are producing clean energy, which  would have to be replaced by something else (possibly not so clean) if the dams  were to be removed. The four dams on the lower Snake River in eastern  Washington are part of a complex hydroelectric power system operated by the  federal government in Washington, Oregon, Idaho and Montana. A federal study  released at the end of February 2020 recommended that the dams remain in place.
 Design:Given this  background I set out to design a quilt that illustrates why we need to be  concerned. The design is a collage of photos and digital paintings assembled in  Corel Draw on my Microsoft Surface Design computer, which allows me to draw and  paint directly on the screen. The boat drawings, representing sound pollution,  were inspired by my own photos and the photos of others. A license for the  drawing of the Seattle skyline was purchased from iStock Photo. The photos of  water were taken on a recent cruise to Southeast Asia. As we were sailing in  the middle of the Bay of Bengal, I looked over the railing and saw a vast sea  of floating plastic garbage. I just grabbed my camera and pointed it down over  the railing to get the shot of the plastic pollution, which, in this quilt,  represents all forms of water pollution. The salmon are swimming into the pollution  and disappearing. The toxic chemicals, unfortunately, cannot be seen, so they  are listed on the inner border along with all the other factors leading to the  decline in orca population. At the end of the list I have noted the numbers of  Orcas left in our resident pods as of January 2020. A picture of the snowcapped  Cascades, taken from the window of my studio, fills the sky behind the Seattle  skyline. The repeating pattern in the border is a detail from a photo of one of  the dams on the Snake River. The orcas and the fish were individually painted  and were inspired by photos from various sources. I have illustrated my hope  for a return of the salmon population by making an outer border of chinook salmon,  which are barely visible at first and become more and more clear as they swim  toward the upper left border. The breech in the top border represents the  salmon returning happily to the Elwha River, a scene we would like to see more  of.
 
 The composite image  was digitally printed by Spoonflower.
 
 The machine  quilting was done with many different colors of acrylic and polyester thread.  The binding and backing fabrics are from two of my collections for Benartex.
 
           For the       Love of Gaia, (invitational) 
             University        of Nebraska, Lincoln, NE, June 26 - November 29, 2020Birmingham        UK Festival of Quilts, July 2021New        England Quilt Museum, Lowell MA, Jan 28-April 9, 2022 Quiltfest       New England, Massmutual Center, Springfield, MA, August 11-13, 2022Photos,       Pixels, & Pizzazz: Digital Quilts by Caryl Bryer Fallert-Gentry,       Special exhibition, Road to California Quilters Conference, Ontario, CA,       January 17-21, 2023Environments,       Kavanagh Gallery of Fine Line Creative Arts Center, St. Charles, Illinois.       March 30 – May 12, 2023Inspiration/Exploration,       SAQA Regional Exhibition, Traveling 2024-27 
                   Sequim        Museum & Arts, Sequim, WA, February 1, 2024 – March 31, 2024Allied        Arts, Bellingham, WA, June 1-30, 2024 Schack        Art Center, Everett, WA, November 15, 2025 – January 7, 2026 |  
  
  Updated
02/17/2024Web Site Design by Caryl Bryer Fallert-Gentry © 1997-2022 
      All Rights Reserved Bryerpatch Studio • 10 Baycliff Place • Port Townsend, WA • 98368  • USA
 360-385-2568 • caryl@bryerpatch.com
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