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    | Life in the Margins #2: After Autumn Printable 
          version |  
    |  Front
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        See more information and close-up details 
      belowCopyright © 1989 Caryl Bryer FallertSize: 61" x 49" (155cm X 
          124cm) Techniques: Hand dyed, machine pieced, 
          appliqued, and quiltedMaterials: fabric: 100% cotton  / 
          batting: 80% cotton / 20% polyesterOriginally purchased for a private collection in St.Petersberg FL. Subsequently purchased for a private collection in Kansas 
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  | Design Concept At least once each year, I make a scrap 
                    quilt from strips of fabric left over from other quilt 
                    projects. In 1988, I made a series of quilts in shades 
                    of peach and turquoise. The left over strips from these 
                    quilts were sewn together in groups of related colors. 
                    Equilateral diamonds were cut, at various angles, from 
                    the resulting strip pieced fabric. These diamonds were 
                    pieced together with the lighter values toward the center 
                    of the quilt.
 The black overlaid design is based on a "doodled" 
                    design of the type that filled the margins of my school 
                    notebooks as a child. The doodled design was enlarged, 
                    and machine reverse appliquéd to the pieced background. 
                    The title refers to the margins of my notebooks where 
                    the doodles originated. All of the machine quilting 
                    was done freehand, with no marking, and it echoes the 
                    doodle design of the black appliqué. This quilt 
                    was begun in December of 1988 and completed in February 
                    of 1989.
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                    |  Original (doodled) pencil sketches 
                      for Life in the Margins #2: After Autumn.
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                | On the back of this quilt is a large block 
                  based on the traditional "Log Cabin" block. 
                  It has been altered slightly to make it appear to spiral 
                  into the center, echoing the spiraling design on the 
                  front of the quilt. My use of a variation on a traditional 
                  quilt block, on the back of this art quilt, is my tribute 
                  to the creativity of the many anonymous quilt artists 
                  of the past. |  |  
            |   Publications 
                AMERICAN QUILTER MAGAZINE, Fall, 1989, p.41
QUILT SHOW MAGAZINE, #2, (fall 1989)
QUILTS JAPAN #14, Jan. 1990, pp 82-83
KENDALL COUNTY RECORD, June 1, 1989 p.3
AMERICAN QUILTERS SOCIETY WALL CALENDAR, 1990, October
AMERICAN QUILTS, 1991 Publications International, p.58
PATCHWORK PATTER, NQA Quarterly, Feb. 1991, COVER & 
                  p.10
CARYL BRYER FALLERT: A SPECTRUM OF QUILTS, 1996, AQS 
                  Books, pp. 26-27
THE ST.PETERSBURG TIMES, St.Petersburg, Fl. Wednesday, 
                  July 16, 1997, Section B. p. 1 
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        | Exhibitions:  
            AMERICAN QUILTERS SOCIETY SHOW, 1989, Paducah, KY (First Place,professional wall quilts)
QUILT MARKET, Spring Quilt Festival Midwest Contemporary 
              Quilt Invitational, 1989, Chicago, IL
FIBER CELEBRATED, Intermountain Weavers Conference, 
              Salt Lake City Art Center, 1989, Salt Lake City, UTNATIONAL QUILTING ASSOC. SHOW, 1990, Knoxville, TN (First Place)            HOLIDAY GARDEN OF QUILTS, Illinois Quilters, Chicago 
              Botanic Garden, 1989, Glencoe, ILWORLD OF QUILTS II. Somers, NY 1990 (invitational)
GLASS GROWERS GALLERY, 1990, Erie, PA (invitational)
BLACK AND WHITE AND THEN SOME, Fiber Fifteen Group Show, 
              Bloomindale Museum, Bloomingdale, IL
FESTIVAL OF QUILTS, Old Kentucky Home Quilters, 1991, 
              Bardstown, KY (invitational)
QUILTING BY THE LAKE, Instructors Exhibit, 1991, Morrisville, 
              NY
KENTUCKY FESTIVAL OF QUILTS, 1991 Louisville, KY (invitational)
FLIGHT OF IMAGINATION, The Artworks, Ephrata, PA 1991
TIMES OF OUR LIVES, Eastcoast QuiltersAlliance, 1991, 
              Westford, MA
COURTHOUSE QUILT CONFERENCE, Invitational Exhibition, 
              1991, Geneva, IL
GINZA QUILT-EYE GALLERY, Opening Exhibition, 1992, Tokyo, 
              Japan, (invitational)
ULSTER COUNTY QUILT FESTIVAL, Kingston, NY, 1992, (invitational) 
THE FABRIC OF OUR CULTURES, Cultural Council of Victoria, 
              1992 Victoria, TX
QUILTS: CONTEMPORARY VOICES FROM THE PLAINES, Gallery 
              181, Iowa State University, 1992, (invitational exhibit) 
              Ames, IA
NEW ZEALAND QUILT SYMPOSIUM '93, TUTORS EXHIBIT, (invitational) 
              Central Institute of Technology, Trentham, New Zealand
KENTUCKY GALLERY OF FINE CRAFTS AND ART, Pictorial Quilt 
              and Folk Art Exhibit, 1993 (invitational) Lexington, KY
CONTEMPORARY QUILTS: FOUR VISIONS IN FIBER, 1994, (Invitational) 
              The Stocker Center Gallery, Elyria, OH
SECRET GARDEN, Thomas Center Gallery, Quilt Finders, 
              1994, (juried) Gainsville, FL
CHILTON PUBLICATIONS SPECIAL EXHIBIT OF MACHINE QUILTED 
              QUILTS, Quilt Festival, 1994, Houston, TX (invitational) 
SPECTRUM: THE TEXTILE ART OF CARYL BRYER FALLERT, Traveling 
              Solo Exhibition, 1996-1998 Museum of the American Quilters 
              Society, Paducah, KY, Illinois Art Gallery, Chicago, IL, 
              Illinois State Museum Gallery, Lockport, IL, Illinois 
              State Museum, Springfield, IL, American Museum of Quilts 
              and Textiles, San Jose, CA, Dunedin Fine Art Center, Dunedin 
              FL, New England Quilt Museum, Lowell, MA  |  |  
  
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7/8/15Web Site Design by Caryl Bryer Fallert-Gentry © 1997-2022 
      All Rights Reserved Bryerpatch Studio • 10 Baycliff Place • Port Townsend, WA • 98368  • USA
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