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          |  | Messenger #1 Printable version
 
              See details & more information belowCopyright © 1995 Caryl Bryer Fallert
Size:  36.5" wide X 42" high Techniques: Hand dyed, , machine appliqued, and quiltedMaterials: fabric: 100% cotton  / batting: 80% cotton 
                / 20% polyesterPrivate collection: Aurora, IL 
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        | Design 
          Concept This is one of a series of quilts about birds of the imagination. During 
            the first week of January, 1995, my 87 year old mother had a stroke, which 
            left her a prisoner in her own body, paralyzed, and unable to speak, read, 
            or write, but fully conscious of what was happening to her. In the first few 
            weeks when I was driving back and forth to visit her in the hospital, I began 
            to notice large white gulls, often solitary, circling in the sky. I have no 
            idea what gulls were doing in the middle of winter in the corn fields of Illinois, 
            but I found comfort in seeing them. This is a small quilt I made in response 
            to this experience.             The bird was drawn on paper and scanned into the computer. It was traced using 
            a program called Streamline, which converted it from a bit-map to a vector 
            drawing, which could be manipulated in Corel Draw!. The shape of the center 
            panel, with it's curved and spiraled edges was drawn directly on the screen, 
            using bezier curves. The shapes of the center panel and outer border were 
            filled with texture fills (bitmaps of pattern and color) which were altered 
            to look like my hand painted fabrics. To suggest quilting lines, the shapes 
            of the bird were left unfilled, and the outlines of the shapes were colored 
            white.
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        |             The outline of the center panel was printed onto clear acetate, and projected 
            onto hand painted fabric. After the line was drawn onto the fabric, it was 
            cut out and appliquéd to a darker, hand painted, background fabric.              The outline of the bird was projected onto the center panel and was traced 
            with a thin white pencil. This became the general outline for the machine 
            quilting of the bird. The quilting was done with #30 cotton top stitching 
            thread which shows up clearly against the background. The bird is surrounded 
            by organic patterns of free machine quilting, done with no additional marking. 
            This kind of quilting is like doodling. It's patterns are as distinct to the 
            individual quilter as handwriting or a signature. After quilting, the bird 
            was colored with white prismacolor pencil.Both the center panel fabric and 
            the outer border fabric were painted with fiber reactive dyes. |  
        | Exhibitions:  
            CONTEMPORARY WALL-QUILT EXHIBIT, The Wild Goose Chase Gallery, 1995, Evanston, 
              IL
PHEASANT RUN QUILT EXHIBITION, 1995, (juried) Pheasant Run Expo. Center, 
              St.Charles, IL
COMPUTER DESIGNED QUILT EXHIBIT, 1995 Greater San Antonio Quilters Guild, 
              (juried) San Antonio, TX 
NORTHEAST QUILTS UNLIMITED, Old Forge Arts Center, 1995, (juried) Old Forge, 
              NY (FIRST PLACE) Publications 
            CARYL BRYER FALLERT: A SPECTRUM OF QUILTS, 1983-1995, 1996, AQS Books, pp. 
    86-87
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  Updated
1/7/17Web Site Design by Caryl Bryer Fallert-Gentry © 1997-2022 
      All Rights Reserved Bryerpatch Studio • 10 Baycliff Place • Port Townsend, WA • 98368  • USA
 360-385-2568 • caryl@bryerpatch.com
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